Here is the Operating Room from New York Presbyterian Hospital. Cool, but who is this really for?
A blog for the University of Memphis' Communication undergraduate/graduate level course
Thursday, March 31, 2011
Social Media Revolution
I saw this last week and I thought it held an interesting relevance to what we have been talking about. After watching it, I just may create a Facebook page yet (maybe). Guess I need to manage that online identity before someone else does! Enjoy...
Wednesday, March 30, 2011
On the Internet, Nobody Knows You're a Dog (Or a Catfish)
There's a big debate about whether Catfish is a documentary or a mockumentary. Did the events in the movie actually happen? Phillip asked me yesterday whether I believed they did or not, to which I responded that I did. But I don't think that should be the focus of one's viewing of the movie. I think regardless of whether or not these events were documented as they were happening has no bearing on the fact that this movie accurately portrays life in our modern-day social networking lifestyle while also making a comment on the very idea of our perception of truth.
I posted on IMDb earlier today about the movie. You can view my post here. I'm at the very bottom. Monsterinabox is my username.
The important thing to me about Catfish is that everything about the movie is inherently false. Nev's brother Rel and his friend Henry captured hours upon hours of footage of Nev and edited it together into one 87 minute piece. As I wrote in my post, someone crafted those 87 minutes. It was crafted into a piece that was supposed to represent the ideas and beliefs of the filmmakers. On an extra on the DVD, the filmmakers and Nev read off questions they have been emailed about the movie. One of the questions about the idea of shifting identity read, "The 'you' in everyday life and the 'you' on the internet: Same person?" One of the directors, Henry Joost, commented that, "a Facebook profile gives you the ability to present yourself in the way you would like to be seen by other people." Certainly made evident in the movie.
But, Nev also answered a question about being the subject of a documentary, having his life followed by two guys with a camera. Nev responded, "The movie was edited in the way your online profile is edited." That sentence right there is the meat of Catfish. The entire movie is a representation of reality. It's important to know that about the movies we watch and about the technologies we use. Awareness of their effects on our everyday lives helps us understand who we are and how we use, interact with and are moved by them.
As I wrote on IMDb, don't be like Nev and just accept what's in front of you as fact.
Will the real Nev Schulman please stand up? |
Thursday, March 24, 2011
iPods: A Social Antibiotic
Tuesday, March 22, 2011
Body As Code
Saturday, March 19, 2011
Identity Management Goes Mobile
With many more people able to navigate these digital spaces more frequently and efficiently, what happens to this space? Identity markers such as race and gender may be able to be kept oblivious online, at least for a while, but the outside “physical” world still has major influence in the digital space and this causes the same tensions and separations as it can in reality, although, in some cases, indirectly. When you think about cultural implications such as status…does this mean now that those who can afford these high price devices are the ones who will now dominate this space since they have the ability to affect the virtual world at any place and at any time in a more effective manner (Slack + Wise, 166-167) ? Ipads are becoming the dominant player in the mobile computing space and with them brings massive amounts of control, flexibility, navigation, and resources. In a sense, the iPad is a major tool where one can do their online management anyplace and at any time, which becomes a powerful medium.
Think about information sources such as news organizations. Who has the power; who draws the crowds? Those who can get as much information to the people faster than others can. Who gets the information the fastest? The ones with the largest amount of resources: larger teams, better equipment, better technology. In turn they become more popular because people learn who the popular informants are. Transition into the digital realm. Say you create a digital persona in Second Life, how do you rise in the ranks? By having a persona that people want to watch or follow. This means having an active caricature that is always active. How do you become more active? Having the ability to manage the persona anytime, anywhere… the iPad rises.
Friday, March 18, 2011
Blog 2...How Women Use and Feel about the Washing Machine in their home
“Rather than sell a few larger machines to centralized businesses, manufactures sought to sell many smaller units to private households. The return of laundry to the home affirmed women’s role as consumers of individual products instead of shared central services.” Because this was the proposal of the manufactures, women became the target consumer for the washing machine. Thus, when the machine was brought into the home the women were the expected user of the machine.
In the 1830’s commercial laundries were used to serve seaports and gold miners. The commercial laundry services accommodates mostly men when they were first developed and later became a place where one would drop off their entire family wash that was required for the week. These services reached its height in the 1920s and then met its match with coin laundry mats and the newly discovered home laundry system. Later, when the machines reached the home, women were taught by to operate the machines on their own without any assistance from their laundry service or washerwomen. The control was now shifted into the hands of the consumer and no longer a profession commercial service.
In the text Culture and Technology, the authors discuss convenience in the form of wants and needs of a culture. Many times, convenience does not necessarily make life better for a culture. In some cases making things more convenient can cause the reverse effect and make life harder for people. The authors explain that our bodies do have basic needs that have to be met such as clothing, water, food and shelter, however, as time goes on we have expanded our needs and organized our world around our wants. This perception rationalizes that because we have altered our world around us to such links we have accepted necessities that technologies that are not biological. We have inherited these technologies because they have become cultural necessities. (Wise and Slack 2005, 32-33) The washing machine is a technology that our culture has acquired out of the necessity for clean clothes and has morphed into a technology that demands surplus and extensive effort on the consumer.
Victoria Leto, in the article, Washing, It Seems Like All We Do, explores not only the idea of how women are using the washing machine more than men in the household and that the machine has certainly caused more labor than convenience, but also how the idea of doing laundry inside the household has privatized the lives of many domestic women at home. It is a task that takes up much of the time spent doing chores and shuts women off from others while inside. Leto looks at how many women used to stand outside and place clothes on the line giving them a chance to feel the sense of community among their friends while doing their chores.
In this research, women were asked questions about their time doing laundry. The women interviewed revealed that washing machine is clearly a one person chore. Long gone are the days where women are crowded around the boiling water to wash their clothes together. The women viewed the washing machine as not only just a single person job but a controlling chore as well. The washing machine size determines the amount of laundry that one can do in each load, therefore, enslaving the consumer to repeat the task over and over. Essentially, women feel as though they are the consumer solely being targeted for the washing machine and are exclusively responsible for the operations of it in their home.
http://books.google.com/books?hl=en&lr=&id=XyIYOz1Y0pgC&oi=fnd&pg=PA3&dq=the+washing+machine+and+its+effects+on+women&ots=LesdMN9B1f&sig=H6eNMPvJ93EnxDk0OQz7T-GWfX8#v=onepage&q&f=false
http://books.google.com/books?hl=en&lr=&id=i9k8oapdbl4C&oi=fnd&pg=PA136&dq=has+the+washing+machine+affected+women%3F&ots=PuWPHIUele&sig=1vBuoCdUZBGG9vTfL7bsRqgQSes#v=onepage&q&f=false
Bicycles Technological Evolution
Cosmetics and Makeup
Woman, historically speaking, represents the “other” in comparison to man. That is, man symbolizes a superior level of mental and physicality in comparison to woman. Many theorists attribute this historical narrative as a direct contributor to the oppression of woman or subjugation by man of woman using technology. One technology that our text mentions as a technology of the body is makeup. The authors define the use of this technology stating, “Makeup is used to alter one’s appearance to fit within cultural norms of attractiveness and to exaggerate and emphasize gendered characteristics of appearance, such as the eyes or lips” (Wise and Slack 2005, 161).
Today, a prime example of a technology that subjugates women is the enormous cosmetic industry. The use of makeup has largely crossed cultural boundaries, globalizing cosmetic use in a sense. While cosmetics are no longer a luxury available to the wealthy, they have marked a distinct cultural norm of woman’s identity across the world. Consumers of cosmetics today, vary over cultural, racial, and socio-economic status. Our text also cites that makeup aides in altering racial characteristics. (Wise and Slack 2005, 161) The authors further, “For example, skin-lightening cream in sued to change the color of one’s skin so that it better meets the cultural ideal of fair skin and white identity.” This illustrates the critical role that cosmetics play in a definitive alteration of one’s identity.
Primary uses of cosmetics by women act to enhance, paint, conceal, and mask woman under a veil of cosmetic products. For example, cosmetics’ uses range from the desire to achieve a femininityy that is culturally recognized, to appear younger, to appear less tired and ultimately as a defining technology that aides in the construction of woman’s identity. That is, makeup as a technology acts as a marker of identity.
Aging also plays a critical role in the cosmetic industry. In a 2010 article from the Washingtonian titled “looking Younger” authors state that, “It's a given that collagen production diminishes as we get older. Collagen is the protein that gives form and firmness to the face. Likewise, elastin, which enables your skin to spring back like a perfectly cooked cake when it's poked or pressed, is also on the wane”(Hacinli, 2010). The article further stressed that gaining begins in the early twenties, therefore, concerns of gaining reach millions of consumers.
The cosmetic phenomenon is not limited to the United States or other Western countries. For example, in India, Bollywood actresses are subject to heightened scrutiny just as American actresses are to criticism and comparisons to these women with and without (gasp) makeup. This particular cultural use of makeup challenges widely held beliefs and breaks new boundaries regarding femininity and what is acceptable. Like India, Hollywood expects makeup as a vital identifier of women, particularly actresses. Like the Bollywood site, entertainment magazines regularly feature comparisons of starts without makeup.
In conclusion, the cosmetic industry has surpassed numerous expectations as cosmetic surgeries are becoming increasingly popular. While traditional “makeup” is removable, these innovative surgeries actually rearrange the anatomy of a woman to meet some ideal or cultural expectation. Like the historical hazards associated with traditional makeup, women now are engaging in life-threatening surgeries to change their appearance. Ultimately, all use of cosmetics and cosmetic surgeries provide human beings to overcome the limits of the body. Cosmetics are just one of the millions of technologies of the body marketed daily. Once again, we are faced with the dilemma of whom technologies aide. In this case, cosmetics create one more drudgery that millions of women subscribe to a daily basis. This essentially functions to subjugate woman to meet an idealized version of herself in order to meet societal expectations and femininity as a identification.
Too Much Pleasure Can Lead To Pain
Yes, we know Advil can help give us pain relief from an intense exercise at the gym or ease the pain away of a headache from a long stressful day at the office. But do we ever think about the side effects that could come with the relief and comfort this magical pill give us? In 1969, Ibuprofen was first used to treat patient with rheumatoid arthritis. Today, Advil is used to reduce fever, headache, toothache, back pain, arthritis, and minor injury. It is not safe for a person to take Advil if they have a history of heart attack or stroke. Also, ask a doctor or pharmacist if Advil is safe for you to take. Advil side effects can cause dizziness, drowsiness, headache, stomach pain, gas, and heartburn. Drinking alcohol while taking Advil can cause stomach bleeding. USA Today publish an article in June of 2010, called the Danish study on healthy people using pain relievers are raising their risk of future heart related problems. The article provides studies done, that proved cardiovascular risk increased when healthy people used NSAIDs such as Advil. Individuals whose average age was 39, that used ibuprofen had a 29% chance of fatal and nonfatal stroke. In the article, Cardiologist Dr. Michael E. Farkouh explain that drugs that raise blood pressure such as Advil are associated with an artery-blocking effect that can be harmful in patients who are healthy. The study also indicated that healthy people are more likely to take NSAIDs for muscle and joint pain do to regularly excising. (http://www.usatoday.com/news/health/2010-06-11-nsaids-heart_N.htm) Another article by the New York Times talks about a study done by physiologist David Neiman at the Human Performance Laboratory at the North Carolina Research Campus. David Neiman conducted a stress test on the runners that was racing in the Western States Endurance Run. Neiman saw in blood samples he took, that many of the runners were providing their own physiological stress in tablet form. The runners that took ibuprofen before and during the races showed more inflammation and high immune system than runners that did not take any form of ibuprofen or aspirin. The runners that used ibuprofen also showed signs of mild kidney impairment before and after the race. Neiman find out that 7 out 10 runners were using ibuprofen. Majority of athletes in a wide range of sports, take some form of painkillers religiously. Neiman research finds that many athletes took ibuprofen before a sporting event to prevent pain during or after the event. Furthermore, taking ibuprofen before participating in a sporting event can actually has an opposite of reducing pain effect for athletes. The soreness of the athletes that took ibuprofen was same as the non-ibuprofen taking athletes. Physiologist Stuart Warden found that NSAIDs actually slowed the healing of injured muscles, tendons, ligament, and bones. (http://well.blogs.nytimes.com/2009/09/01/phys-ed-does-ibuprofen-help-or-hurt-during-exercise/) Neiman and Warden Research also confirm passage on page 61 in the textbook on how the technology we felt was created to help us, end up proving to harm us. MSNBC reported that Advil and other forms of ibuprofens can cause health risk for pregnant mothers. (http://today.msnbc.msn.com/id/9811838/ns/today-today_health/) Advil design assumption is to expect their consumers to read the warning label on the packaging box, but the emotional attachment to Advil is that this technology as articulation gives relief, joy, and comfort that distract the buyers to recognize the warning. Over the years with Brett Favre and other athletes admitting to being addictive to painkillers, have lead to the term painkillers to be identified with athletes in physical sports.
Just Give Me a Little Space...
Food is something everyone must consume for subsistence on a daily basis in order to survive and maintain health. This has not changed, but what has changed are the ways in which we get our food, the genderized and racialized meanings of food, and the spaces we occupy while obtaining and consuming food. We are dependent on food, and therefore dependent on the supermarket to produce and distribute the goods needed.
The supermarket changes the way we move and interact within space. Space here referring to “social space” which is not just created by one person, but “the space created through the interaction of multiple humans over time.” People fill the aisles selecting their products moving and stopping at different counters to sample foods, obtain their meats and pastries, or to view the advertisements on the televisions. Communication in the supermarket has greatly changed from personal contact and interaction with employees to an almost invisible interplay. Customers communicate on their cell phones to friends in distant locations, bringing them into the shopping routine and shaping the space in new ways. This expands the social space to people that are not even present, and yet closes the social space of the actual physical people by limiting the dialogue and personal encounters with them.
The shoppers are all moving towards their end destination, the register or the less social, self-checkout. The assemblage of self- service has altered the way consumers shop and modified the duties and quantity of employees. The consumers no longer have to communicate with store employees because they can now non-verbally interact with the machines. The consumers may perceive this as progress, making shopping an autonomous activity and seemingly more convenient, but the self- service concept also plays a role in benefiting the stores labor costs. If the store no longer has to invest in multiple people to work the registers, they can instead hire one or two persons to see over the self-checkout area and thus save money. But the ideology of self-service can only successfully happen if the shoppers see it as being beneficial and appealing to them in some way. As our book states, “the assumption that a customer is “waited on” must be disarticulated, and the customer must be convinced that this a convenience, a good thing, a pleasurable activity, and so on.”
The register itself has the power of holding information such as the cost of purchases, sales, and coupons. Once at the register, customers can scan their frequent shoppers card offering the discounts and sales. The customers receive the discounts on their items all while their selections of purchase are surveyed and tracked in a computer. With the advanced marketing techniques using a form of surveillance, the customer’s choices of items are modified by the offer of additional coupons that correspond to items and brands that they have already purchased.
Food also creates a spatial practice in the kitchen, where people gather to make and consume food. As detailed in our book “Spatial practice consists of the structures and activities that produce and shape space by articulating it in certain ways." The family space of the kitchen is thought to bring the family together and focuses on a healthy well- cooked meal ideally cooked by the mother.
The ubiquity of supermarkets in suburban areas means that mothers should cook more extensive meals and more frequently. Also, food media, whether in film or on the television, portrays the idea of that food can create a community of people alike that can be bought and purchased not only by choosing particular brands, but by the mother’s choice of choosing the brands of America. It then becomes the mother’s obligation to buy these products and display and cook them in a certain ways. This can be seen with Jell-O, the popular gelatin dessert that is seen as quintessentially American. In Edible Ideologies, Nathan Abrahams states, “What American in the 1920s and 30s could resist the appetizing photographs of the gently rippling Jell-O salads in the Ladies Home Journal?”(85) Well who could resist them? The Jewish communities of America could not consume it because it contained the skins and bones of non-kosher animals. Jell-O became a way of separating the Americans and non-Americans, which during the 50s communist scares, held a tremendous negative connotation.
As spatial practices change with more people viewing television more regularly, comes a new way of consuming food. With easy to prepare meals, such as TV diners that are created to consume while viewing the television. The spaces we occupy and create together while consuming food can change the way we view food and the meaning we create for it.
Photographers (And Those Who Look at Photos) are Space and Time Travelers
"The Tetons - Snake River" by Ansel Adams, c. 1942. |
"In an era when handheld point-and-shoot cameras were quickly becoming the norm, Adams and other landscape photographers clung to their bulky, old-fashioned large-format cameras. Ultimately, Adams’ pictures turned photography into fine art. What’s more, they shaped the way Americans thought of their nation’s wilderness and, with that, how to preserve it." In 1940, Kings Canyon National Park was established, but it didn't come without a fight and technological aid. FDR's Secretary of the Interior Harold Ickes "took particular interest in the National Park Service." Ickes turned his sights on the Kings Canyon region of the Sierra Nevada and enlisted the aid of Ansel Adams to drive home his fight for preservation. President Roosevelt was so moved by the work of Ansel Adams that he signed Kings Canyon National Park into existence, even though "he would never be able to visit in person because of his inability to walk unaided. Instead, he would appreciate its magnificence through the photographs of Ansel Adams."
Looking southeast from base of Moro Rock, Kings Canyon National Park. |
Adams crafted representations of space through his photographs. Our book describes how "scientists, engineers, planners, architects and others" (this includes photographers) "understand and represent space as something to be lived." Adams' experiences, emotions and thoughts as a young boy visiting Yosemite translate onto the large sheets of photographic film. The deep, black shadows of the mountains, fluctuating highlights and mid tones in the sky and wooded areas, and overall sharpness of the first, and even second, photograph are intentional of the artist. The black and white photography and sharpness are meant to affect its audience into feeling the same way as the artist about the subject, the representation of space.
This establishment of emotions in the viewer begins to affect the way the viewer perceives the subject or representation of space and, in turn, changes "our awareness of space," or representational space. Though the book tells us that representational space is the "direct, lived bodily experience of space," the photograph's strong evocation of emotions and feelings as a representation of space begins to affect a mind in a way similar to how the book describes representational space as "what space 'feels' like" (p. 137). The overall depth of the photo, how clearly we can see the drop in altitude from the high perspective of the camera to the river below and the distance between the camera and the mountains, evokes a "feel" of the area. It's wide open. It "feels" free to be explored. The detail in faraway objects like trees is so fine that we "feel" the experience of walking through the massive forest, linking it to our own experience of inhabiting a similar space.
Even though you have probably never been to Kings Canyon or seen the Tetons and the Snake River, you "feel" like you have because of the representations of space in photographs. In a way, the image allows us to travel through time and space in order to "experience" or "feel" something we have not. Like previously stated, this is the power of photographers and their cameras: Representing space and causing the viewer to have an emotional reaction to the piece.
For more examples of how photographs change the way we look and perceive space around us, check out this article.
Vacuuming: So easy even a cave man could do it!
Vacuum cleaners are convenient and they cut the time of cleaning a floor, rug, or carpeted area in half. This kind of technology enables us to get work done faster and more efficiently and this is why so many people use vacuum cleaners. According to Goodway, a prominent vacuum cleaner manufacturere, there are even industrial vacuum cleaners that are used in industries such as pharmaceuticals, plastic molding plants, and railroad stations just to name a few.
In my previous blog I discussed the various kinds of vacuum cleaners. To reiterate, they can range from battery powered hand held vacuums to very large industrial vacuum cleaners. The most common kind of vacuum cleaner is the upright which is a midsize machine. Vacuum cleaners are used at carwashes for the purpose of cleaning cars and you can even find people using them in the mining industry.
The vacuum cleaner as a technology has definitely had an effect on our culture. Years prior, cleaning was always considered the woman’s job but over the years in our evolving world men have also taken a larger role in this area. According to our textbook, Culture and Technology, from a technological determinism perspective, technology is key in defining what culture is. Also it cause effects and such effects are the main cause of cultural change. The way we as a people do practical things such as cleaning or even our methods of communication is what defines our culture. From this position, it is fair to say that the vacuum cleaner has essentially advanced our culture, or to say the least it has changed it.
Why Use Shoes?
The use of shoes has been around for many years throughout different cultures. Shoes are designed to make us walk and run comfortably but are these the only reasons human beings rely on shoes? Definitely not especially in this new digital world we are living in. Shoes can sometime identify us for who we are. Identity plays major roles in our life; it is our characteristics which give cues to others to help them figure out what we represent. In our textbook Culture and Technology it states, “Identity affects how a person is placed in culture: how important they are, how they are treated, and what possibilities are open to them” (Slack 149). When we look at a commercial and see our favorite celebrity promoting shoes we run and buy the shoes no matter what the circumstances are. It doesn’t matter if we like them, the style of the shoe, or how much they cost. The only thing that matters is, Hanna Montana, Beyonce, or TI has the shoes on, therefore; it has to be the new trend. The funny thing is you can take those same shoes and someone who is not a celebrity can wear them and most people would say things like, “those shoes are old” or “nobody wears them anymore.” Shoes can say a lot about your character such as; if you keep yourself up, the type of style you like and you personality (outgoing, adventurous, quite, loud and soft spoken). When looking at someone shoes we tend to stereotype their lives at that very moment. In the reading, Cybertyping and the Work of Race, the author Lisa Nakamura states, “Stereotype itself an example of machine-language, albeit pre computer; the first stereotype was a machine device that could reproduce images relatively cheaply, quickly, and in mass quantities,” (Nakamura 318). In this day and time shoes are becoming more and more expensive. Prada, Gucci, Chanel, and even Nikes are all well quality shoes and all have been duplicated by cheap material and sold. The other manufactures know that everyone can not afford these shoes so they use cheap material to make the duplicates and sell them at a low price. If someone was to have on the fake Gucci or Jordan’s we atomically identify them as being cheap or having low income.
Technology is developed within shoes but why does this matter? Identity matter is one way of answering this question. Technology targets a particular group of people. Technology is designed according to who will use it. This is how they determine who they will distribute it to! In chapter thirteen of our textbook Culture and Technology, it talked about how technologies will be designed to work in ways that suite those use and users (Slack 150). When looking at a commercial in which a celebrity is promoting shoes, the commercial does not necessarily mean you are the target audience? If you are not a person who buys or will ever plan to buy expensive shoes the commercials is not meant for you. Although the purpose of these commercials is to get everyone to buy the product this is not possible. Therefore, when targeting an audience they use celebrities, people with nice skin, nice bodies, and gender depending on the type of shoe they are trying to sell. “The discourse of many commercials for the internet includes gender as only one of a series of outmode “body categories” like race and age,” (Nakamura 32). Race and gender is design to get the attention of the audience .When people wear shoes it is not just a shoe, it is culture, fashion, and above all their identity.
Cites: Slack, Jennifer Wise, J. MacGregor. Culture and Technology.
Nakamuar, Lisa. Cybertyping and the Work of Race.
Thursday, March 17, 2011
Wee, DDT
When DDT was first introduced, it was hoped that it would be able to eradicate things like Malaria, a tragic global pandemic. Many debate today if that was ever possible, with some pointing out the resistance insects developed to the pesticide through overuse. Though, we all know that DDT was not synthesized to help people, it was synthesized to control pests that eat our crops. This type of mentality, controlling nature, is prominent in western culture. Due to this cultural need for control, this dominion of nature, DDT was used. This is technology, why it is used and made, can be thought of from a cultural determinism standpoint. I actually intend to argue both sides, with the other being known as technological determinism. I want to do this to show that yes, I do pay attention in class. Also, I find that to think of things from a single theory never bodes well with the idea of truly trying to understand something. Even if that something is just a pesticide.
Cultural determinism is the belief that culture develops the needs for new technology, meaning that it has a say in how it is used. DDT was made to be a pesticide, well it was accidentally made, but when its effects were known the creator won a Noble Peace Prize (link). Knowing this it is not hard to imagine that this was a happy accident. Killing is what DDT does and that is what it is used for, it was used to purify the bad wilderness and bring our civilizing good crops. It did have nobler aspirations, but because of its overuse for big agriculture, they could not be met.
On the flip side, technological determinism is the belief that technology causes effects, and thus is causes the changes to culture. DDT caused a lot of effects, it killed birds, fish, and harms the environment, and this all affects us. It never just eradicated the bad bugs that destroyed our crops, but caused a wave of cultural changes that still is moving today. This chemical cause a generation of people to turn to organic farming (after reading things like Silent Spring), and reject big corporations. This organic movement (which has deviated from the original movement) is now a major player in the global economy. We know that DDT was an accidental invention, so its side effects were not really known until around the 40s, around 30 years before it was banned.
DDT was just something to kill some bugs so our plants would grow better, it would be cheaper to produce them, and then cheaper for us to buy them. But, as time went on we began to realize that our technology began to have a negative impact on us and our environment. We determined what we wanted it to do, but in the end its effects forced our culture to change.